![]() Try different distances etc, 3 or more etc.Įxperimental territory - like extremely unusual mic placements and mixes, balances with stereo - but it might sound awful or experimental - but it might be what you wish to do for a modern piece in a mix. In most basic form, 2 microphones point at the piano from the side of the piano. If you have performed a piece to your liking, and you now wish to play it back for others to listen to, audiences throughout history have often responded well to "audience perspective" There are no exact or perfectly defined limits to how this can be done, or "should be achieved" or anything but there are many traditions and techniques to draw from. We will most likely want to tweak Pianoteq so that this player perspective suits the acoustics of our room and other things for our own tastes - but player perspective presets will suit high quality piano practice requirements (where the ones below might be less suited for practice or recording performances *****note below). There is no single exact perfect 'everyone agrees' way for this. If you're sitting at your Pianoteq piano, playing and practicing, you might want to use a "Player" perspective preset (where the audio is meant most to sound like you are sitting playing a piano with mics or binaural mode acting quite like our 2 ears, hearing bass notes to the left and treble notes to the right). There are different reasons to use these - and it's a mixture of personal taste or what an audience might want from us. "Player perspective" and "Audience perspective" are 2 standard ways to set up a Pianoteq instrument. ![]() This preset is oriented toward Pop/Jazz/Blues/Modern music. An introductory preset that lets you discover a colorful variant of the Grotrian Concert Royal Grand. ![]()
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